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Switchin'
to Glide
by Sev
Pearman
What
is it like to ride a Harley Big Twin? Why should I buy a H-D
over another brand? Is a Big FL "worth it?" These are some
of the questions I pondered while riding a glorious 2001
Harley Davidson Electra-Glide Classic.
The focus of the
new 'Glide must be its motor. The 88A & B motors are
probably Harley's final air-cooled design. They feature (for
the first time) a separate camshaft for intake and exhaust.
All FL-series bikes come with the Twin Cam 88A-series power
plant, and are rubber mounted.
Our
test Glide came with fuel injection and was simply a
pleasure to run. Starting, hot or cold, was a no-brainer, as
the injection map brought her to life every time. At all
tested throttle positions and loads, the big FL never once
stumbled, gacked or surged.
The 88 series
motors, now in their third year live up to their claims.
They make more power-per-liter, run quieter and cooler, and
lose less horsepower to friction loss than their Evo
predecessor. All bikes should run this great.
Period.
The gearbox is a
mixed bag. While the 5-speed certainly shifts with greater
ease than before, it still requires a long lever throw. And
why do H-D traditionalists expect loud "clacks" whenever a
shift is made?
Further, I
continually found it difficult to find neutral. Whether from
1st or 2nd gear, hot or cold, while stopped or still moving,
neutral remained elusive.
Most of the metric
cruisers, especially Kawasaki's Vulcan family, demonstrate
that you can have both sweet transmission feel and
"traditional" style. While improved over the Evo-era tranny,
MMM believes that H-D is capable of better.
The stock seat is
a pillowy cushion, with separate pads for both rider and
passenger. Our test bike was fitted with an optional H-D
accessory saddle. This seat was firm, well-dished and very
supportive. The only downside is that you are locked into
one position, which while comfortable, can become tiring
after a tankful.
Like all Electra
Glides, the Classic comes with floor boards. There are
isolated rubber pads on their surface, so all you feel is a
pleasant thrumming through your feet. In addition, you can
move your feet around, which aids in long-ride comfort.
The downside is
that floor boards further reduce a cruiser's already limited
cornering clearance. It was all too easy to grind parts on
the Classic. During one scary low-speed left hander, I
actually leaned her over onto the frame itself, and
leveraged the rear wheel out. Yikes! In its defense, the
Electra Glide isn't designed to run like that, and most
riders will not push her to that level.
Coupled with the
floor boards is a heel-and-toe shifter. For those who
haven't ridden with one, there is a second lever off of the
shift shaft that extends rearward. To upshift, you lift your
foot from the floorboard, and press down on the rear lever
with your heel. To downshift, you press on the front lever
with your toe as on any other bike.
I find
heel-and-toe setups to be clunky, and prefer to use only the
front part and shift conventionally. Traditionalists like
the look of them, as it adds another piece of brightwork.
You, of course will decide for yourself.
Handling
is pure cruiser. The Electra Glide wears its 800 lbs. low,
so it steers lightly. The suspension, while improved, is not
that of a sport-tourer. The Classic coasts over slow-speed
bumps and absorbs minor potholes like a '78 Chrysler New
Yorker. But mass and a long wheelbase work against you in
stutter bumps. When pushed hard, the mighty 'Glide becomes
unglued. But hey! That's not what an Electra Glide is about,
right?
One of the many
things I loved about the 'Glide is the fairing. The
"batwing" fairing has been around since the 60's, and is a
major element that makes this recognizable as a Harley. At
road speeds up to an (accurately!) indicated 70 mph, the
fairing keeps wind and road noise away from the rider. Above
that, and you start to feel helmet buffeting. Again, not a
problem, as extended high-speed droning is not the Classic's
mission.
The fairing comes
with an excellent polycarbonate windshield. It was optically
clear, and obviously a quality item. One annoying detail was
that the top of the shield was at my eye line. A taller or
shorter windshield would solve this. Both Harley Davidson
and the aftermarket are more than happy to accommodate you
with literally scores of options, or you can simply cut the
stocker by a couple of inches.
No nitpicks about
the instrumentation; it is spectacular. In addition to a big
tach and speedo, you get gin-u-wine gauges for fuel level
(accurate!) battery voltage, oil pressure, and ambient air
temperature. In addition to this was the usual pairing of
idiot lights. All gauges are white-on-black, with a
conservative, easy-to-read typeface.
Equally
spectacular are the mirrors. Always clear, at any engine or
road speed, they always provide an elbow-free view of what
lies behind. A practical detail done right
The Classic comes
with a factory am/fm cassette stereo that really works. All
buttons and connections, as well as both speakers, are
weather sealed, and should perform under the worst of
conditions. One great feature is the speed-sensitive volume.
Simply set the audio level and the volume changes with your
road speed. No more constant volume adjustments as you ride
-- no more embarrassing "cranked tunes" at stop lights.
The bike is
pre-wired at the factory for additional speakers and/or a CB
radio set up. The wiring is a compromise between amenities
and price. You can add features later if you wish, without
the cost and hassle of a major dismantle.
We
at MMM like to ride, and like our bikes to be riders first.
Style comes in second, so we weren't too pleased with the
saddlebags. They are made of a thick smooth-finished
fiberglass, and are styled in that manner that screams
Harley Davidson, but come up short in the practical
department.
The hinged lids
unlock in an awkward 1-2-3 latch/hinge maneuver that while
can be learned, is non-intuitive. They also fail the test of
being able to contain a helmet. Is this due to the fact that
many H-D riders choose not to wear helmets?
One pleasant
surprise in the saddlebag was the small but serviceable
toolkit. You can't rebuild by the side of the road, but
there is enough there to do the odd adjustment. Finally, a
Harley with toolkit!
The Classic comes
with an accurate fuel gauge and a yellow warning light. The
petcock operates off of engine vacuum, so there is no
reserve. The tank holds a claimed 5.0 gallons, and economy
varies with speed. I saw the yellow light at 128 and 153
miles, and ran out at 164 and 191 miles, respectively. It is
safe to say that you can run a good 30 miles after seeing
the yellow light. As always, your mileage may
vary.
Two items that
must be mentioned are the build and finish quality.
Everywhere you look, each piece seems custom-crafted and
solidly built. Gone are the days of cheap stampings and
parts-bin engineering. I had to look very hard to notice
some spot welds, and that was only after they were pointed
out to me. This is one robust machine.
Likewise; the
finish of all painted, polished and chrome parts is
outstanding. No one can fault Harley Davidson here. The
quality of finish work on the Electra Glide Classic is
second to none.
This quality
doesn't come cheap. Asking price for this 2001 Injected
E-Glide Classic is over $16,000. Is it worth it? That
depends on how important your bike's appearance is to you.
There are better daily riders. There are less-expensive
cruisers. Again, only you can decide for yourself. Me? I'd
take the money and buy a Vulcan and a good used 900 SS
Ducati.
Thanks to
Donahue's in Delano for the generous loan of the 'Glide for
this article.
Encores:
Quality of finish
Now with a (nominal) toolkit!
The Harley Davidson bandwagon
Boos:
Excellent quality can't justify
$16,220 price tag
One-position seat (optional on test bike)
Suspension suffers due to cruiser style
Wife's first
reaction: "Oh. It's just a big fat Harley...Wait! Can I
say that?"
Selected
Competition: BMW R1200C; Honda Valkyrie Tourer and
Shadows; Kawasaki Vulcan 1500 Series; Moto Guzzi California
Series; Polaris Victory V92C Deluxe; Suzuki Intruder 1500
LC; Yamaha Road Star & Royal Star Series.
by
Victor Wanchena
No other brand of
motorcycle has enjoyed the prestige or power that
Harley-Davidson has in the modern motorcycle market. The
lads from Milwaukee have risen from the ashes of their
former selves to create the driving force in the American
motorcycle arena. They have done this by building a
motorcycle that is styled by the company's history and
tradition while still being a paragon of fit and
finish.
This
month's road test is one of the all time greats in the H-D
family, the Electra-Glide. Tracing its roots back to the
days of the Panheads the Electra-Glide was the final version
of H-D's second generation overhead valve motor. For those
not familiar with the older H-D motors, the Panhead was the
engine used by H-D until 1966 which took its name from the
cake pan shape valve cover. The Electra-Glide took its name
from two components. First "Electra" denoted the addition of
an electric starter. Until 1965 all H-D bikes were
kick-start only. The "Electric Leg" was a big enough deal at
the time to warrant the name. The second part of the name,
"Glide", refers to the conventional forks. The first Harley
with hydraulic forks was called the Hydra-Glide and the name
stuck.
Skip ahead 35
years and you have the Electra-Glide as we know it today.
Still the large touring model and arguably the flagship of
the H-D line it has been updated in all the technical
aspects. Yet, from a distance it is hard to distinguish a
modern Electra-Glide from a vintage one.
The heart of the
Glide as well as the rest of the H-D big twin line up is the
Twin-Cam 88 ci motor (that's 1450 cc metrically). The twin
is basically a highly refined version of Harley's Evolution
motor. The engineers went back to the drawing board and
tried to address all the concerns and desires of Evolution
owners. The end result is the Twin-Cam which gets it name
from it use of separate cams for the intake and exhaust
valves. It is not only more powerful but quieter
mechanically but it had also addressed some cooling and
oiling concerns internally. This was done while still
keeping a motor which visually has its roots in the
Evolution and in keeping with H-D's tradition based design
philosophy.
All their work has
produced a smooth running torquey big twin. Turn the switch
to on, wait for the fuel pump to spool up and build
pressure, then thumb the start button and the motor
instantly springs to life. No choke here. The electronic
fuel injection handles all the starting chores with ease.
Within seconds of starting the motor has settled down into
its familiar loping gait. When compared to an Evolution
motor the lack of mechanical clicking and clack is apparent.
All the work the engineers did quieting the motor was then
directed out the back with a louder exhaust, which allow
enthusiasts to enjoy more of the mellow flatulence that H-D
is so well know for.
On
the road the motor pulls smoothly and cleanly from as low as
2000 rpm all the way to redline, which is 5500 rpm. The
injection is well mapped providing consistent power
throughout the entire rev range and the healthy amounts of
torque keep the need for downshifts to a minimum. Among the
redesigned aspects of the Twin-Cam is a shortened stroke,
which helps the motor rev faster. The down side is you
really need to watch the tach until you become adjusted to
the low rev limit. When I was purposely trying to short
shift was when I was actually shifting about right. Don't
look for a huge top end here just try and enjoy a meaty
mid-range torque curve. Also fuel economy was not what I
expected from a fuel-injected bike. At normal freeway speeds
the mileage was hovering in the mid thirties. Only after
slowing on two lane byways did the mileage crack forty.
The rest of the
drive train is the standard H-D setup. A non-unit five-speed
transmission feeds the power to the rear wheel through a
toothed belt. The transmission worked by H-D standards but
is still a bit behind the times. It operates with firm
clunks from the heel-toe shifter and performed well until
worked hard. When running at higher revs or quickly shifting
through the gears you could find your self in a false
neutral between gears. Also the shift linkage has a fair
amount of slop which may account for the false neutrals and
the tendency to cause some riders to go on a hunt for the
true neutral.
The running gear
for the rest of the bike held some surprises and
disappointments. First I was rather pleased with the amount
of ground clearance that the Electra-Glide had. Only at
extreme lean angles (for a touring bike) did the floorboards
touch down. This doesn't mean you'll keep up with your sport
bike friends but rest assured Glide can lean farther than
you might think. The downside was the suspension is not
tuned very well. On the straight and level everything is
fine. But when leaned over in a turn even small bumps turn
your glide into a wobble. This doesn't inspire great
confidence in cornering and is evident on harsh bumps on the
straight as well. The criticism is the handlebars are far
too flexible. They become rather rubbery as you hustle the
bike through traffic be it your morning commute or that trip
you always take over the Bear Tooth Pass. The brakes are
good by today's standards especially the rear which was
formerly infamous for a off or locked sort of
feel.
Then there's the
fit and finish. H-D continues to do an excellent job
finishing their bikes. From the paint to the chrome and
everything in between, the Electra-Glide was a very handsome
motorcycle. The attention to detail was evident in the small
thing as well. Like the switchgear was on feature a smoothed
rounded shape verses the old style which was rather sharp to
the touch. The full instrument pack included a speedo, tach,
fuel gauge, voltmeter, oil pressure and air temp. All the
gauges were accurate including the speedo which I verified
with a GPS and the fuel gauge which fellow staffer Sev
tested the old fashioned way. Also the idiot lights were
nice and bright, visible in even direct sunlight.
For
the touring equipment the Electra-Glide we tested was mid
pack in the H-D line. Called the Classic it normally comes
equipped with a rear trunk. This had been removed by the
dealer and replaced with a small rack. The saddlebags were
high quality units but their size limited the width of what
fit in them. The latch mechanism was an odd setup that would
frustrate any would be thieves but could still work open if
not locked while riding. Also our bike had the stock seat
removed and optional H-D unit in its place. It was firm and
comfortable but I did sink through it after a couple hours
in the saddle. The passenger pad was a bit on the small side
with only 8 inches of butt room. My wife was complaining
before we left the driveway.
The radio on the
Glide was top notch. It featured AM/FM and weather band as
well as a cassette player. All the necessary controls were
mounted on the bars and within finger range while your hands
are on the bars. The sound was clear at highway speed even
in traffic, which has a way of drowning out most other
radios. Also the passing lamps did a fine job of filling in
around the low beam headlight but were wired from the
factory to go out when you switch to high beam.
On the road the
Glide is true to its form. It is a very competent touring
bike. Aside from a few complaints the Electra-Glide is up to
the task of being your guide through as many states as your
vacation allows. The insistence of Harley to rely on
engineering rooted in their tradition my be the bane of
moto-journalists, but the money doesn't lie. Consumers have
voted with their dollars.
M.M.M.
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